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Tommy Foster started listening to music as a young
child. To make ends meet financially for his family, he took up a
job as an elevator lift operator. The hours on end of menial labor,
smiling, and pressing buttons served to open his mind and allow sanitized
remakes of easy listening adult contemporary hit singles to embed
themselves into the very essence of his soul. He would come home
every evening after his 16 hour shifts and tune into far away lands
with exotic music on his AM radio. Here were the less sanitized musical
works that gave him inspiration. Frank Zappa, Black Sabbath, Dr.
Demento, WGN Chicago’s Animal Stories, and all sorts of other
musical and comedic dimensions were delivered magically to his tender
ears.
This experience in his early youth is what gives him his panache
today in a variety of musical markets. By strategically deconstructing
familiar pop songs and reassembling them into meaningless montages
or seemingly endless medleys, he does what everyone else in this
recycled cover band pop market does, but without the absolute predictability
that forces the dumbing down en masse of any audience, listening
or not. In addition, he maintains a continually growing list of
original material that force their way out of his need to feel
artistic.
Quotes from audience members:
“ Can you sing happy birthday to Amanda? She’s
21 and we would love it if you could.”
“Will you come play at my pig roast? I can’t pay
you, but you can drink all the keg beer you want. We’re going
to burn all of our old furniture, so if you’ve got any old
couches or recliners, bring em.”
“ Remember me? You told me that you would learn Brown Eyed
Girl ( or Mustang Sally or American Pie or Margaritaville or Freebird
or whatever) and now I want to hear it, or I’ll never come
and see you again.”
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